The great thing about the vast majority of musicians is that they are at the same time gracious and generous people, and hungry for attention. That means, if you point a microphone at them and turn on a little red light, by-in-large, they start singing.
So it was when Curt and I started Acoustic Conversations a few years back. The first show was a convoluted mix of stunning flamenco riffs lovingly gifted to us by our good friend John Carlson and poorly mic’d wannabe talk radio. Still, that conversation sparked something cool, and posted a stitch in time that leads to today, the last show of our second season, and our newest addition to the family, James Jeffrey-West.
James is a stunningly warm person. I say that as a point of contrast, I think. He’s a contrast to jokers who try to own a room with ego and pomp; he’s a contrast to yahoos who enter a room with jokester hippery; he’s a contrast to crooners who slide into a room with sticky smug insincerity. When James came into the AC lounge, well, we wanted to give him a hug.
In his bio, James says he plays “good, honest acoustic” music. Insofar as we couldn’t see the allusion when we kicked off the interview, we were wrapped up in it by the end. His songs are gracefully simple packages, easy on the ear and difficult to shake. His song-writing is at once worldly and approachable; he weaves his broad life experience into tales that are most often too short to be completely satisfying.
We talked a lot in this show. So much, in fact, that we didn’t actually get to all the music that we’d intended. It’s a shame, too, because for my money, the best tracks of the evening were those recorded after the show had ended. Take a special listen to Sacramento International, a haunting lullaby to congested air travel; and Half a World Away, an anthem to bifurcated love in ticklish harmonics. You’ll find the show, as well as all six of the tracks we recorded with James available free in iTunes. Please subscribe to support the show.
I deeply hope you enjoy the music of James Jeffrey-West. He’s a new favorite of ours and we’re thrilled to bring him to the show. As ever, comments welcome, but mostly, just go buy his CD. It’s in iTunes, CDBaby, and just about everywhere else music is served.
If you haven’t seen it, head over to AcousticConversations.com and check it out. That is, if you like music. And if you have a pulse. This is the latest post from the blog on the show.
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I’m in San Jose right now. Did you see that coming? What with my clever title and all? To be fair, the tune I have in my head is actually from “Rent” — and let me say this about that: This show breaks me right the hell down. I’m not kidding.
There’s a new release of the show, I believe celebrating the final Broadway performance. It’s a taping of the current Broadway cast, on stage, doing their thing. You can rent it in iTunes now, and I just can’t recommend it highly enough. The current cast is absolutely stunning, and the show continues to inspire today.
As I was saying, San Jose. Yeah, this lame travel schedule has thrown my posting schedule a scooch, but there IS news here, so better late than never.
Acoustic Conversations with Matt Vrba live in the feed
The first time I caught Matt Vrba was some two years ago, singing in a parking lot next to an RV that was pumping out baked beans and burgers. It was a company picnic. A company picnic.
[Chinese monks are walking through the airport right now. In my head they are Shaolin and could kill me by looking at me. In reality, they cannot find their way out of the airport. Attempting to do a good deed by showing them out.]
So, two years ago, Matt Vrba was ingratiating himself by playing solo for the ungrateful unwashed at a company picnic. Now, two years later, he’s relocated to Nashville and we get to catch him on a tour of the Pac Northwest, witnessing him ingratiating himself on our show.
A lot can change in two years.
And yet, the music that originally stuck with me is here and better than ever. This guy has a fantastic story to tell, and he completely kicks it with the live tracks we’re giving away right now. So go, now, open iTunes and update your feed for the show. Watch those tracks trickle onto your computer. Drop them on your iPods and Sansas and … whatevers … and kick it with Matt Vrba.
Want more of Matt? Visit his site at MattVrba.com.
What’s more important than that? Buying music!
If you like Matt, or the other artists we’ve profiled, remember this: A GREAT way to support the show is to click right over on the “Store” link in the top-right corner of the site and buy their music! That’s right, live and in color, straight to you courtesy of Amazon.com, you can buy music, AND fund the show, AND support the artists all at the same time! So help us out, us creative types battling a flagging economy, and buy some great tunes. You won’t regret it. Neither will we.
As ever, thanks for your support, and stay tuned for more great musicians coming this month!

Last night, we hung out with Tyler Stenson. He’s a musician, a guitarist and troubadour, and he joined Curt Siffert and myself for the innaugural episode of the 2009 season of Acoustic Conversations. The AC show itself hasn’t been posted yet, but stay tuned… it’ll be up online soon. Read on for a little Stenson present.

This post isn’t about the music. The music is great. Go listen to it. Buy it. Enjoy. I’ll even help out as a shill here for a bit. See how nice I am? Instead, this post is about success. It’s about what it means to be successful, what it means to know you’ve made it.
Making it casts a broad net, and it’s a theme that continues to come up in the AcConvo shows as we talk to more artists — what is the general expectation of acceptance and success, and how will you know you’ve achieved it?
“When I was a kid, I wanted to be a rock star like everyone else,” Stenson told us. “I’ve grown up a bit since then.”
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